1. |
It's just not possible
00:16
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2. |
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1
“work is calling” and
stretching expectations around
it an ascending curve
lets the lower arm flapping
this behind chair bends lower back
being then down in memory
forced to begin again.
2
so stiff tries it out
and sits like stair
“well, well, well…”
lifts legs to spear
and repel and how
can this make this
fit
3
first confronts work
at a distance
then mimics its form
with a spring
for dramatic effect
inspects up close concludes
“I win! You don’t
look that good.”
victory spreads its self everywhere
4
fall out legs drag flex.
5
now spreading them
sitting will lift and fuck
the universe just
to recoil into outset position
6
the closing has not accepted
turns to the trace of another side
the sun with hand then raises
arms to disable the threat
then lets them sink into
submission.
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3. |
Pump
01:55
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4. |
Komplex 4
02:58
|
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1
the beginning is standing
knows practice is necessary
twists its arms back and pierces
its heels. the head needs to not fall off
and uses the hands for this
then it happens anyway
and there is a curved line
which ends in regret.
until the head was never attached
to the body
then the beginning is standing again.
2
here the beginning stands facing you
it holds the slap with braided hands
then is a flexible torso
bends in two directions
manifesting but one.
3
the angle this takes is
that it is possible to swim
on dry land
if the body is a triangle
one side can be its double
and alternately stay hypotenuse
maybe this is beautiful upper body
stays afloat and legs are drowning.
4
until the beginning stands again
and replaces its legs tentatively
figures which fits where better
arms loose on the side
decide one has to go
first
then the other.
5
this beginning reproduces itself
supports the lower back
and is but one exception
elevating heels
but when it turns it is
being alone and twisted
while the rest of the line
proceeds as not having anything
to do with that position.
Exercise this slowly exactly.
6
until this beginning spreads the body
in bigger and smaller circles
counting always
1 – 2 3 – 4
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5. |
Kraftsportig
00:20
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6. |
Komplex 24
01:46
|
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1
one and two braced hands
facing away from each other
are a test to sight
that one and two hasn’t disappeared
looks at before and after now
2
none of that
where one and two stand
quite independently
minimal overlap a cross locked
to use eachother
to cover more ground
3
when added
two is so athletic
looks pathetic as a table
posits the question
why one should try so hard
to bend it is a stupid table
when lifted no one can sit at it
anyway for god’s sake!
It’s made out of people.
4
now searching for sin
one and two face
each other
and legs chime back accusingly
fold in front of chest for protection
5
keeps at arms length
balances
6
interlaced aggravates
tick tack
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7. |
The office
01:51
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8. |
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1
ambition is I told you so
what it does and what it says
is not aligned for instance climbing
should skip a step to the top
each time and the descent be half as fast
instead ascending looks like a creep
and downwards can’t run fast enough
fear is looking down from height.
2
worship draws a line from the groin
to the hands and then folds it
the head now where the food is.
feather this.
3
one leg higher than the other
takes the angle of a clock
relates time and space
in which the body dies 24hours
daily and wishful
time is other.
4
now is repetition eternal in which
arms are solidarity with legs
only the head is a cone
5
now stands still to listen
for something new like a position
bowing to hear the feet
and the arm is a leg
the other leg an arm
this possibility is a new
creature and
perplexed at that
6
then punishment raises arms
and surrender becomes a plank
that evens out upstairs and down
everything is a square with it
and hurts the back.
inside ants walk up and down.
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9. |
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10. |
Le joyeux rétif
01:09
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11. |
You can only manage it
01:28
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rad fuer alle Berlin, Colombia
***1 EP / week during 2015***
publication on sunday night
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